| Bettina Shaw-Lawrence | |
|---|---|
| Born | 29 July 1921 London, England |
| Nationality | English |
| Field | Figurative art |
| Training | Fernand Léger, Sir Cedric Morris |
| Movement | Magic realism, neo-romantic |
Bettina Shaw-Lawrence also known as Betty Shaw-Lawrence, is an English 20th century figurative artist born in 1921. Though she studied painting and drawing under Fernand Léger, Cedric Morris and Arthur Lett-Haines, was mainly self-taught. The artist worked professionally until the early 1980s.
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Born on 29 July 1921 in London, Bettina Shaw-Lawrence is a post-World War II artist. Her work is figurative and expresses itself mainly through oil paintings. Her other favourite mediums are black and white or coloured ink drawings. She is also a book illustrator, "widely known as a portrait painter",[1] and a sculptor. Her works are represented in private collections. From 1946 onwards, the artist had several solo and group exhibitions in galleries of contemporary Art in London, Rome and New York.
The artist attended, before the outbreak of the Second World War, drawing classes under Fernand Léger and studied sculpture with Ossip Zadkine in Paris. During those formative years David Gascoyne, the Surrealist poet, was her mentor,[2][3],.[4] On her return to London in September, 1939, Shaw-Lawrence met David Kentish and Lucian Freud[5] both students at Cedric Morris and Arthur Lett-Haines' East Anglian School of Painting and Drawing. This encounter enabled her to spend the summer of 1940 studying under the artist Cedric Morris and though she returned to the School at Benton End near Hadleigh, Suffolk, for short spells during the war, Shaw-Lawrence mainly painted in Richmond-upon-Thames .[6]
In the aftermath of the Second World War, Bettina travelled to the Continent. Countries such as Spain or France inspired her works and were subsequently exhibited at The Leicester Galleries and the Hanover Gallery. In 1958 Shaw-Lawrence left England to move to Italy where her oils on canvas became more luminous and serene though her work " might be sets for very sophisticated doll dramas".[7] Her paintings were steeped in "a world of crystalline beauty, alive and real", a world devoid of intruders "because of this power of hers to purify reality and restore it to innocence".[8]
However, from the 1970s onwards, with the advent of abstract art, figurative artwork went into decline affecting the artist's self-confidence. Bettina Shaw-Lawrence has now settled permanently in Italy with her daughter.
1947 - The Leicester Galleries - London.[9] This first exhibition of the artist was announced by The Times.[10]
Its catalogue [11] comprised: 16 oil paintings and 12 drawings (ink and gouache, ink and water-colour, coloured inks and chalk as well as one pastel), most of which depicted landscapes, flowers or still-lives with the exception of one portrait of David Gascoyne.
In 1948, The Penguin New Writing n°33 edited by John Lehmann published two of her works from this exhibition: 'Richmond Bridge' (oil) and 'Boy with a Donkey' (coloured inks).
1953 - Hanover Gallery - London. The artist's second show was also announced in The Times.[12] The catalogue [13] listed 18 oil paintings.
1963 - Bodley Gallery - 223 East 60th Street, New York . April 15, 1963
The exhibition catalogue[14] comprises 40 "oil on canvas", all pertaining to the artist's Italian period. Her exhibition was announced by ARTnews.[15][16]
1975 - Wivenhoe Arts Club - Wivenhoe (Essex)
"An exhibition of paintings and drawings by Bettina Shaw-Lawrence opened at the club on Saturday evening and among the guests was Mr Arthur Lett-Haines, one of the leaders of the East Anglian School of Painting and Drawing where Miss Shaw-Lawrence studied many years ago. There are 39 works in the exhibition... which will remain open for the next three weeks",.[17]
The artist's first exhibits in London included the Reid & Lefèvre Gallery and the Léger Gallery. These were followed in 1955 by the Arthur Jeffress Gallery in London in collaboration with the Galerie Charpentier in Paris. On this occasion, her portrait entitled 'Portrait with a Rose' was selected for the cover of The Listener to announce a BBC radio programme on the art of the Trompe l'Oeil',dated February 3, 1955.[18]
The Bodley catalogue dated 1963, confirms that when Bettina Shaw-Lawrence lived in Rome, Italy (1959–1967) her works were exhibited " at the Obelisco and Gallery 88".[19]
In 1985, Bettina Shaw-Lawrence took part in the exhibition entitled 'The Benton End Circle' which was held at Bury St Edmunds Art gallery in Bury St Edmunds (Suffolk). On that occasion the artist sold a pen and ink drawing of Lucian Freud posing in the nude for the students of the East Anglian School of Painting and Drawing at Benton End in the early 1940s (see external link). This was her last exhibition and it had taken place in a gallery located close to Benton End where she had always longed to be during the war years and would "always remember the lovely times I've had down there".[20]
Among the painter's sitters were the designer Jean Muir, her husband Harry Leuckert, David Kentish, his sister, the actress Elizabeth Kentish, the poet David Gascoyne, and the journalist and writer Paul Johnson (writer).
1946 - William Miller Abrahams. 'Interval in Carolina'. Jacket designed by Bettina Shaw-Lawrence.[21] London: Editions Poetry London. OCLC 7840602
1949 - Shaw-Lawrence, Bettina and Fassam, Thomas. 'An Herbarium For The Fair: Being a Book of Common Herbs with Etchings by Betty Shaw-Lawrence'.London: The hand & Flower Press.[22]
1972 - Shaw-Lawrence, Bettina.Festchrift for KFB (Katherine Falley Bennett). London: The Lyrebird Press, Micro-dot-Book. p. 167 and a double page drawing p. 140 - 141. OCLC 1121430
1979 - Shaw-Lawrence, Bettina, Durrell, Lawrence.'Apple Grammar'. London: Poetry London/Apple Magazine, vol.1 N°1.p. 79. OCLC 6257472
1989 - Shaw-Lawrence, Bettina. Tambimuttu Bridge Between Two Worlds. London: Peter Owen Publishers. p. 236. OCLC 25026573